(My) Challenge Time!!

So, January is depressing…

And I haven’t had the motivation to do any of my 101 challenges (see tab above for the list) in ages.  Think you could do better?  No, really, could you do better – I’m asking?

I thought I might turn my Project Day Zero Challenge around, and let my readers have a go.  Basically I’ve picked out a handful of my unfulfilled 101 tasks and I challenge YOU to do one (or more) and record it for the purposes of assessment – resulting in a prize (or two)

The 10 Challenges:

3. Have an art exhibition, even if it’s just in your own home

9. Make and encouraging/motivational banner and anonymously put it up

23. Interview someone and write a story/poem about their life/experiences

25. Cook a souffle

26. Make some street Art (I am not encouraging you to break the law)

54. Go on a demonstration/protest and if there isn’t one make one

66. Set off chinese Lanterns

70. List a hundred things that make you happy

74. complete a colouring book

95. Have a T-shirt printed which advertises MY blog (for the hardcore fans)

The Prize:

A 6/8 print posted to you, or handed to you if we are real-life friends (RLFs). You can pick any picture, as long as it fits a standard 6/8 format, from my 365 project, going back over the whole year.

http://365project.org/chewyteeth/365

Also a great collection of short stories: Nobody belongs here more than you, by Miranda July.  One of my favourite writers.  Also posted or handed to you if you’re one of my RLF’s.

What must you do?

Take a challenge or more than one (if anyone achieves all ten they become my favourite person for 2012) and record your completion of it in an entertaining way, if you have a blog or website then make an interesting blog post of it (put the link to it in the comments section below) if not you’ll have to email me your submission – photos and explanation and if you win in this manner I will publish the winning piece on my blog.  I’m not sure about the time scale but I’m thinking of running it till a fornight tomorrow – Sunday 12th February.  That’s tough!

The small print:  Be an email subscriber to Manchester’s Artistic Son (if you email me or post on your blog please make sure it’s clear to me who you are), be as entertaining as you can be, but also properly satisfy one or more of the above challenges.  Be artistic and imaginative, for instance if you just set off Chinese lanterns make sure you make the photos of the challenge beautiful, or alternatively do it from the top of the Empire States Building, for instance.  Don’t get arrested doing any of these things, and if you do….yada yada I’m not to blame.  The submission which made me laugh, smile, cry the most wins.  I would like to see in your exif data (cameras digital info) that the photo has been taken during this period, but if the exif data isn’t present with the picture and you cannot show in the picture that it was done for this purpose then I rely on your honesty.  Please do not send five year old pics of your mother’s souffle.

 My email address is basically the word admin then the little at sign, then manchestersartisticson.com

Whoop! winner to be announced on the blog!

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Guest Blog: Button Heart (my sister’s Jewellery shop!)

Hey

My brother Dave asked me to do a guest blog – since what I have to show is both artistic, and Manchestery…

I’m Rach and I’ve just launched Button Heart, which is a handmade jewellery shop.  I’ve wanted to launch it for a while and I’m happy to say Button Heart is officially online!

Affordable pieces hand-made in Manchester – styles vintage and modern , made using mainly glass beads, wire wrapping and antique pieces I find. My inspiration comes from Romantic and Victorian literature and style, sometimes with a modern twist.

Check out my designs on Facebook,   stop by and like the page, but only if you like the jewellery of course :D

There is a variety of earrings, bracelets and necklaces, from casual, playful styles, to delicate, elegant pieces.  All earrings are £5, bracelets from £4.50 and necklaces £6.50 and there is something for everyone - whether it’s a last-minute stocking filler for a cousin, a jewellery set for mum, or just a treat for yourself.

You can also visit the Button Heart shop on DaWanda  and follow the Button Heart tweets for new designs and upcoming events/ offers at the Button Heart Twitter page.  All orders are sent out within two working days so there is still loads of time for doing some Christmas shopping! I hope you like the jewellery as much as I love making it.

Bespoke requests are always welcome so feel free to email button-heart@hotmail.co.uk if you don’t find the colour or style you want.

Thanks and have a nice week!

Rach x

The Portrait Challenge!

(A second attempt – WordPress you swines, I don’t ask you to publish a portion of what I wrote, but all of it!)

Well winter is here – how do I know?  Well my car breaks down (last week I turned the ignition key with forty-five minutes to go before I had to be at work – six miles away – and it sounded like an angry donkey remonstrating.  I subsequently ran back to the house, threw on more suitable gear and pelted it on my bicycle.  I got there in time but spent the rest of the day sweating and wheezing.)  Also I know winter is here because I get an awful cough, always.  Oh and the final indicator that the bad weather has arrived – our bathroom becomes mouldy.  So basically things work less well (car-me-bathroom ventilation).

If you’re looking for the upside, it’s here:

 

 

 

 

 

 

 

 

I also completed one of my challenges last weekend, number 18, portrait photography.  My model and I wandered Manchester in the quickly declining light and I tried my hand, feeling like a real beginner.  People photos always look more interesting than buildings and streets – and equally they require a bit more thought.  I shall get there, but I think this set of pics shows it was my first time.  Feel free to comment on the pics, and lovers of mince pies feel free to wax lyrical.  I would have posted some writing but I’m at a schism – I’m reading lots and learning lots and hopefully in the near future I’m going to apply it in some wonderful shiny and sparkly way and create something superb.  That’s the theory.  Thanks for reading.

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Another photo, picture, poem and piece of prose.

This time with a theme of mining.

Excerpt of Prose:

The colliery glows like flames, yellow and orange and flickering.  I was rounding the wall and stumbling across the loose gravel of the track.  There are cobbles under foot but they are covered in mud, it slops over everything, beige and cloying.  Porridge coloured, my boots are always dust dry with it when I get out of bed in the afternoon.  I shuffle up the slope to the banksman’s hut where my helmet and equipment is kept.  There are no signs of life, the wind catches smoke trails and curves them over obstacles.  The wagons on rails full of coal waiting to be sorted and weighed, the empties waiting to go back down.  It is only seven in the evening but if feels like the early hours.  In the early hours I’ll be stuck down there without any sense of time and space.  Stuck beneath whether it’s day or night.  I’d rather work at night there’s no chance of the manager or his agent dropping in.  Even the Fireman stays out of the way.  I stand by the shaft, the wooden shelter which supports the winch and keeps the weather off the workings.  I wait for ten minutes before the Banksman and Engineman stroll over blowing warm air into their hands.  The Banksman nods.  He’s got a face sourer than lemon, his eyes are grey and sag wearily, he dislikes me and I dislike him and we make no attempt to smile or speak.  The Engineman I’m indifferent concerning, he’s in the banksman’s pocket, that’s all.  The cage is called up and it chatters it’s noisy metallic way to the top.

            ‘Just you.’ One of the men say, I just hear it over the wind.

            ‘Just me?’ I can’t tell if they’re asking or telling me.  I can’t work out why it is so quiet tonight.  I step on the cage, unused to having so much space to myself.  I give my token to the Banksman who keeps it while I’m underground, sort of like a register of who is down.  The level beneath me lurches and begins plummeting.

            Descending into a coal mine goes like this:

            Darkness gradually encroaching between suspended lamps.  You feel a pair of hands at your neck, that have kept you warm like a scarf up until now, starting to tighten their grip.  The walls are wet.  You don’t need to see it, you can hear it, like a babbling brook, tinkling away in the darkness.  You keep thinking you’re going to hit bottom, in fact it’s deeper than you remember, always.  The chatter of chains and metal ends so suddenly when you’re at the bottom it takes you by surprise.  And then – my first thought?  Twelve hours to go.

            ‘Donald?’ I shout into the pony stalls which surround the pit eye.  A couple of boys with startled eyes poke their heads around the thick, motionless thighs of a pony.  They are sitting in the straw doing nothing, possibly just sleeping.  ‘Donald!’ I shout again and a shadow scurries out from behind the horse.  He keeps his head down, the other boys sink back down into the black.  I have a lamp in my hand with a candle in.  There are safety lamps we’re meant to use but you can’t find your own arse with them.  How they expect us to win black coal from a black coal face in low light.  I lead with my lamp and we begin the long hike.  The ceiling is flat and low, the floor dirty and uneven.  Donald is behind me pushing a cove, an empty wagon, for the coal I’ll cut.  We reach the tunnel proper, and the space of the pit eye diminishes to four feet by two feet.  I bend, we walk steadily.  Occasionally at declines Donald lets the cove hit the back of my heels.  I whip around and try to smack him but usually he anticipates it and ducks behind the thing.

            ‘Why’s it so quiet here tonight?’

            ‘Thirteenth in’t it?’

            ‘Friday thirteenth?’

            ‘Yep, I didn’t think you’d come in, I was going home if you didn’t come in.’

            ‘Because of bloody bad luck?’ I ask, Donald murmurs a reply and we keep walking.  At the turn in the road there was a tenter asleep whose job was to open the door.  There were these doors all over which regulated the air flow.  I kicked at the tunnel floor and gave him a cloud of dust to breath which made him jump up quick smart.

            ‘You’ll be fined if he comes down,’ I said and the boy pulled the rope which opened the door.  We passed through and left him behind us in darkness.  Now it was cloying, the air was warmer on this side of the door.  We walk on and I hold the lamp ahead, watching the flam flicker threateningly.  Donald is rumbling behind me at his own bastard speed.  His father works in a rag place, sorting rags and ripping up old clothes.  It won’t be long before Donald is earning more than his dad.  God knows why he doesn’t come down here.

            Now at the coal face I strip.  It’s warm, not uncomfortable, but once you’re going you get sweating fast enough.  The smell at the coal face is dank, like a man’s old socks.  There is an intricate series of stoppings, and on either side of a pillar two places to cut.  On the opposite side there is another man cutting and further across the seam, down a narrow tunnel I can hear a third man.  The space before me is mine.  The pillar to my side isn’t to hold the ceiling up, we use timber props for that, it’s a baulk, a space of rock between the seam, and it isn’t worth any of our time to chip it out, so it will have to stay until the wasteman or shifter comes to clear it.

            I’m at the  face now with my pick wearing just a pair of cotton shorts.  I trim away at big pieces  and it’s a constant shift and twist beneath the four foot ceiling to get into place to swing.  My hands are rough and sore from the day before but I have to grasp the pick tightly else my wrists wouldn’t last five minutes.  I feel like shit already, I gasp for air and when the pick hits wrong, or slips at the face instead of cuts, my back and arms ache.  If it sticks in I have to use my whole body to pull it back.  As each chunk falls Donald clears it into the cove.  This is how we will spend the night.

            After a few hours my thumb and palm is aching so much I drop the pick.  Donald is away to the brow with a full cove.  He stays with the coal I’ve cut to see it’s marked up properly and recorded, as my pay depends on it.  If the chalker fancies the cove is laid out, that is full of stones and slate, then I’ll be fined rather than paid, for the time wasted getting it to the top and sorting it.  If Donald is slow I give him a quick wallop to speed him up.  The problem with having lots of boys down is they’d rather sit and chat.

            An hour from the end I’m aching all over.  As I lift the pick and swing it I’m trying to arch up so that it undercuts a block of coal.  I’m bending into three feet by two feet for this action.  The coal is above me almost and I’m trying to get it to fall under its own weight.  Donald has slowed down too, and the two of us are waiting for time to pass.  My back creaks, and when I bring my shoulder back there is an unpleasant click at a certain point.  When the last block finally  sags, I get the arch of the pick in and lever it out and it crumbles and collapses into a heap.  Donald steps in with a shovel and feeds it mechanically into the cove whilst I get dressed again.  I wipe the sweat off my face and head.  I know it will be cold outside.  Dark early morning.  The different between the air down and the air on the surface is harsh and it rips suddenly at your throat and you get mouthfuls of phlegm to spit.  I follow Donald back up the road, I put my tools on top of the coal and when he struggles I put my head to it with him and shove.  We both use our heads since our arms are knackered by this time.  The cage creeps up and I’m out into the grey dawn.  I can’t speak for coughing.  I get the token from the Banksman who is sipping tea on a stool, with the door of his shed open so he can see when the day shift turn out. 

I walk down Thomas Gunn Street.  The weather is more favourable, it might even be a good day. My legs ache, my knees and ankles.  But most of all it’s my wrists.  I can’t pivot my hands in any direction and have to hold them carefully, straight by my side.  Where my knuckles have grazed and cut the coal dust has filled them so all of my injuries are bright black and wet.  I hawk up dirty phlegm and spit it in the gutter as I walk.  The cold air reaches into me and scratches my insides.  At the house I open the door and step in, but it is too tight and warm, my breath almost stops completely.  The atmosphere is stale here and my cold lungs are tight already.  I walk through and open the back door.  Outside in the yard the mist is tinged with golden light.  I sit on a rock and try to make slow, small movements with my fingers.  I twist my neck, my shoulder cracks again.  I’ll wash then slide into bed.  My body at first lands like a fallen tree upon the mattress, it’s branches are my rigid limbs.  But in an hour I would have relaxed, my muscles unravelled, my hands and neck numbed.  I sleep like the dead once that happens.

 Poem:
The miners daughter
 
Black fingers scarred and cut red hands too small for cove’s handles
Thin finger tips worn hard and nails cracked and blistered.
Grit-eyes too dry not needed in the dark,
Sometimes closed on cold corridors, closed on breezy emptiness
 
She had dinner ready for him though she finished only recently
And he was black and crumbling in the back yard
Bleeding black in basins with his tankard, dry coughs spit-wet with beer
Black fists mobile like thrown stones swinging.
 
Dinner out, moon-white face washed in candlelight looming
He grips cutlery with knuckles, building anger menacingly
Wordlessly leaving and she sits panting, lungs tight
Empty house draws in black as coal the empty night.

A photo, print, poem and piece of prose

Inspired by a suggestion from Lou at I Hug My Books, I’ve tried, in this post, to put together each various element that I am interested in - a photo, a piece of art, a story and a poem.  It was an interesting project, looking through my work and discovering that themes I use in my poetry, prose and art don’t always overlap, although history does make a regular appearance.  Obviously my photography becomes the hardest element if I pick a subject vaguely historical.  I overcame this by learning from one of my favourite photographers Willie Doherty and replicating the photos of Northern Ireland he makes that don’t show specifics but rather the eerie possible locations of secret meets, ambushes or bombings.  Comments are welcome, and thanks for looking.

Poems

Bandit Country
 
 
In Tullyvallen breezed grass is a crouching man
By the fence through the darkness shuffling.
A leaking gutter springing droplets, tapping
On the uneven concrete are footsteps,
The last few up to the back door.
 
In Tullyvallen a passing taxi driving revellers
Is a minibus full of farmers in balaclavas
Retribution from the other side of town
Did it pass and fade, or stop?
A nocturnal assassination – a dog’s howl.
 
 
Patrol
 
 
We marched out towards Newry
To the New Road we hurry
From Crossmaglen’s high walls
Out over dark moors.
Boots wet and blisters
Wind deafens our footfalls.
 
Lino Print and photograph:

Excerpt from a recently published piece of prose:

The New Road is ahead, the Lead Scout Dawson is to my right, he climbs the hedge first and crouches.  As I’m crossing he gives a signal – a raised hand – and we all drop low.  I’m astride of the hedge but I slip down on the intended side and click the safety off on my rifle.  The road is too quiet for this time in the morning.  Dawson dashes ahead and I keep an eye both ways whilst the others get over the hedge at different points.

Dawson and I move North West in the direction of Tullynavall.  I keep my heavy SLR on instant – safety off – we march with safety on in case someone trips.  I can feel the rest of the section behind me, I pray they stay quiet.  Dawson is listening to his ear-piece, there’s a Puma somewhere and it’s spotted something on the road, I become more alert, I breathe quietly, hold my rifle high, my eyes burn into the distance.

We stop.  The gun group with the GPMG has crossed the road further back they will try for high ground.  The rifle group is on our side and the command group is behind.  Dawson gives a thumb down to me, we freeze, he’s spotted something.  We wait; on the November breeze I hear  fragments of voices like jigsaw pieces.  Dawson pats the top of his helmet.  I go to him. I can feel the mud beneath me, giving under my weight, slipping.  Newry is still five and a half hours in the opposite direction.

The Lieutenant is watching through his rifle sight and me and Dawson are still on point.  Then the Lieutenant covers his face with his hands and points straight up the road.  It’s the signal to go; we run low and quick a few metres and then come down again.  My whole body feels like it’s shivering but my hands are steady, my mind is empty.  The mud is wet, the sky is grey, I take it all in.

Now I see what the Puma reported, a brown Ford Cortina, parked across one half of the road, and a figure, nothing more than a black bullet shaped silhouette, an illegal checkpoint.  Contact.  We can’t get closer to the car to see what’s beyond without compromising ourselves.  Signals are waved across the road and the bushes respond with a ‘ready to move’ gesture.

When an engagement begins you go blind to everything other than the threat ahead and your mates on each side of you.  Guns rattle in fits and jerks, and at different tempos, the GPMG is deeper, like a chain being run quickly over stone, like a ships anchor unravelling.  It is over as soon as it started, the fields echo gun-shots and the crows caw. 

‘Rifle group go,’ the Lieutenant shouts.  Assess, run, cover, fire, that’s our tactics.  ‘Gun group go.’  There is the rattle of fire again and then it is quiet. 

There are four dead at the roadblock, the Cortina is knackered.  The rifle group move on up the road, the gun group fans out and me and Dawson take a minute pretending to look observant whilst Sergeant Bloom and the lieutenant disarm the bodies and searched them.  You feel like shit afterwards, heavy and tired and hungry.  It was drizzling and we had a five hour romp to go.  Now my hands really are shaking, I click the safety on with numb fingers and lick my dry lips.

 

Updates and an art lottery

I haven’t posted for a while because I’ve not had a great deal of inspiration.  I’m chipping away at the writing, chipping away at the art, generally chipping away.  It’s kind of like a curse.  And when you pull it all together at the end, sure, it looks like a lot.  But then there’s a call for submissions and it invariably says ‘send us your best’ and you think, hmmm, what’s my best?  There is several calls at the moment by the way, for any writing buddies reading this take a browse at duotrope for publications of which these are but a small sample:

Alt-hist is a British magazine looking for your historical fiction, there’s no deadline and you get $10 or a free copy.  Read the stuff on their website before you send.

Best Fiction is open to literary short story submissions for which they pay $25, they are quite a new establishment.

Fiction 365 accept submissions and pays a small amount in return, check out their website for a story a day

Or if you write childrens fiction you can send to Stories for Children Magazine who are looking for stories and articles for next Springs issues, stories for February are themed on families and March should be about neighbourhood and locality.

If you’re lucky enough to be a woman Mslexia is open currently for submissions

As for me I haven’t sent much out recently except for emails asking where the heck my story went and when the heck are people planning on getting back to me.  I keep chipping away anyway, it feels like a chipping-away time of year, a time of year you just want to survive before the onslaught of you-know-what-holiday.  Mince pies are back on the shelves so I intend to begin my yearly survey of the best and the worst very soon.  What’s your best seasonal snack? or seasonal tradition…? I can’t believe I’m asking Christmas questions…do you love or dread this time of year?

In other news I’m virtually sleeping on a bed lifted off the floor by the sheer amount of art stuffed underneath it.  So I thought, why not sell it?  Art is so expensive isn’t it?  Not mine! I’ve about a million sketchbook pages of prints, pen, pencil and charcoal drawings and paintings etc from the last twenty years, there’re too many pictures to post photos of individually, so I filled my bedroom floor with about 5% and took a photo.  I’m proposing £3 each, or two for £5.  But it would be an art lottery, unless you live in Manchester in which case buy me a coffee in my local Costa and you can browse through bags like this one and pick out which pieces you like.  There are some really nice sketches in there, paintings too.

What else?  I’m reading a great book, but I can’t say much about it because Lou will tell me off.  It’s teaching me something I already knew but sometimes forget, that the judgements we make about people are made pretty quickly and are based on quite shallow variables.  Those same people are deep and complex and our judgements can be wrong.  And, the most important point, some people we label as arses, are arses…but they might have very good reasons for being arses too.  I’ll leave you with that cryptic thought for the day. 

As always if you want to buy some art email me at admin@manchestersartisticson.com or comment below, and you can pay me through Paypal using the address I send you.  You could write what you like in the email, perhaps landscapes, nudes, soldiers, cars, I really have all sorts, and you could mention pencil-paint-pastel etc.

Crumpets, drinking tea and colouring in…

…It can only be sunday morning.  Check out my new ‘about’ and ‘news’ tabs.

I heart Manchester.  But I must say if I won the lottery this week I wouldn’t mind a second home in NYC.  Since I visited New York I’ve been a bit obsessed, going as far as writing a novel about it.  Today is obviously a significant day for the city.  I prefer to think of 9/11 as a New York event, the way it brought a city together, the way it showed community,  and courage and the way the tragedy was felt city-wide.  When you start thinking about it in World Event terms I think it gets inextricably linked to President Bush being a moron, Ongoing wars and American bankruptcy. 

I don’t know if these 9/11 anniversaries will last decade after decade – aswell as commemorate the lost they serve to make us more and more immune to the images on the TV - the bodies dropping from the windows.  The American media has a way of turning events into epic, emotional blockbusters and they’re starting to absorb the reality and authenticity of 9/11 into a movie-style format of crying children and dusty firemen.  They should have named this New York Day so that in the future it could become a celebration of the city instead of being forever a gruesome reflection.

I published a poem in an anthology called The Harsh and the Heart in America earlier this year, and since the anthology has been released I think I own the rights again so I thought it might be appropriate.  Comments welcome, how do you remember 9/11 are you sick of seeing the traumatic images or do you put time aside this time every year to recall the impact the day had on the world?

 
 
 
New York
 
Like the year’s first snowfall, the delicate flakes suspended -
September’s blanket of dust covering the city.
A comedy of porridge-coloured firemen blinking,
Red-rimmed eyes, astonished, emptily coughing.
 
Now we watch footage of it fall every September,
We try to predict, now, no, now, any minute.
But when it goes we’re still stunned and silent
Cameras dart wildly, focused on legs pumping, shoes slipping.
 
That hatched container crushed, backlit and billowing
I remember how many were still inside,
Clinging to the window-frames, gasping for air.
With breathtaking city views watching below
 
The rolling wall of fog crisscrossing outwards
Like the ripples of a splash, swallowing runners,
Choking survivors, blinding diners -
The intimacy of underwater silence.
 
And in the thick night someone stays filming,
The after-wave of choked ghosts stumbling invisibly
Grasp phones and cough over loved ones, desperately
Blue sky opens up, and now expands endlessly.
 
Dave Schofield obviously owns the copyright on this and everything else on the blog, it’s all me baby, anyone caught copying and pasting will be tickled in a public location until they wet themselves in front of everyone.  However want to buy a print of a Manchester scene or of absolutely anywhere in fact for the low price of £10-£15, postage free to the UK, then email me at admin@manchestersartisticson.com

A Break From Writing

 This week could have been better - since Tuesday work has been called off each morning because of the dreadful weather.  Each day I’ve tried to motivate myself to do something worthwhile whilst it’s rained. 

At the same time I wanted a break from writing.  I’ve done plenty this summer, and I’ve organised a lot of my writing and redrafted a lot of stuff I’d written-off previously and now it’s half decent.  So I picked up my camera and headed to Manchester.

A while ago I was inspired by All the buildings of New York, which is the blog of James Hancock, a New York illustrator.  I loved the website because I love New York.  Then I thought – what about Manchester?  I’m no illustrator but my degree is in Visual Arts, only more the kind of splash-paint-around kind of art.  So I gave myself an impromptu architectural tour of the city with a sketchpad and camera. 

The results are a mixed bag, but it was fun.  I had a few buildings I already loved, I’m no stranger to photography projects in the city, but when you go somewhere and really look for inspiration you often surprise yourself.  I always think drawing scenes makes you look harder too.  Don’t get me wrong the few pictures I’m including here were not drawn on location, they were drawn from the photos (it was chucking it down, give me a break!) but I was really looking.

I don’t know if anyone will check out James’ blog too, my style is nowhere near as good as his, I got caught up with perspective (I hate perspective) whilst he seems to be a bit more loose and free.

I struggled to get the windows in line, it reminded me of teaching art years ago and drawing the points on the board and lots of gridlines and rubbing out.  The kids used to hate it! In the end though it got me doing what I used to love and made me forget about writing.

At it’s worst I avoided the rain by popping into Home Sweet Home in the Northern Quarter for a cup of coffee.   I’d love to give myself a bit of a project doing some more art, even just doing more buildings of Manchester but with starting back at uni in a week or two who knows if I’ll stick to it.  What with my photography project too…

This is also a case of The-title-of-my-blog-made-me-want-to-be-more-artistic!  I grabbed at Manchester’s Artistic son because I do a lot of creative stuff, not just writing, but I realised after starting it I do tend to focus on one thing at a time! And for a while it has been writing.

So what would you like to see?  (and don’t say none of it!)  I’ve considered posting a bit of everything, a poem, a story, a picture and a photo, four posts a week maybe, but it seems a bit incoherent and all over the place.  Then there’s the writing advice, the updates with the project day zero, and general tit tat I like to post too.

And what’s your favourite building in Manchester?  My walk took me through China Town, the Northern Quarter, Cheetham Hill Road, Deansgate, Albert Square and St. Anne’s Square (Barton Arcade) Oxford Road, Market Street and about five other streets!  I think the Midland Hotel is my favourite.  The images here were coloured with paint, if anyone was wondering, and then processed through illustrator/photoshop to give them various different effects and erase the mistakes!  Thanks for comments

 The art gallery – A work in progress!